Chandra Pips Arundhati to Commonwealth Prize. The Times of India News Service. NEW DELHI: Vikram Chandra’s Love and Longing in Bombay has won the. Vikram Chandra is one of those writers who really likes to spin a yarn. Unlike many contemporary fiction writers, especially from India, whose. In these five haunting stories Vikram Chandra paints a remarkable picture of Bombay—its ghosts, its passions, its feuds, its mysteries—while exploring timeless.

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Sacred Games ‘s big pages no longer look nearly so intimidating. Now he was sweating freely, and the weight of his pistol swung against his hip. It was easy to see this story in diaspora, it had identity crisis as theme.

Love and Longing in Bombay

They have a gorgeous elasticity, and an absolute naturalness. Both the narrative frame and the titles offer a perspective on the stories from the outside looking in, some rudimentary explanation or interpretetation, and both seem to presuppose that the stories are an illustration of some larger concept, or an example for a truth about life.

I looked out at the yard, at its scattered pieces of paper, the two workers squatting against the wall with their lknging knees shining, at the scattered bits of smoke around their heads, and I was hopeless. My Postcolonial Short Story class seems to be working, if this reception is anything to inn by.

Love and Longing in Bombay | Vikram Chandra

Chandra is sly here, implying that the story itself may be just another tale woven by the teller to entertain and educate the main narrator. On the yb hand it recounts how the principals of a startup software company try to work out why the accounting system that’s their first major business installation keeps losing the trifling sum of 20 rupees and 20 paise about chadra through the tale I glanced again at the meaning of the term artha and began chuckling.


I have truly enjoyed works by Lahiri, Mistry and others. He does not reproduce old Bombay stories as his own first inventions. Apr 19, T.

Love and Longing in Bombay

It was quite true. Could it have been that Anx Roy and her book has had more than their fair share of acclaim? Remember me on this computer.

It’s not the universality of horror, but the history of it. Is his reluctance to let his estranged wife finally go by signing the divorce papers born from love or just from possessiveness?

Again he heard b voice, far away, melancholy and low. This is a winning combination…. Read it, and perhaps it will stay with you as well. Follows the Matroska style of narration vis a vis story within a story within a story.

Alpha Company had engaged. His parents were dead, gone one after another in a year. It also confirms the young New Delhi [sic] writer as without question a power to be reckoned with.

The stories are rooted in a great sense of location, which reminds me of somebody like Steinbeck at his best. In all the noise of the city. Though Chandra is still very interested in magical realism, at the heart of the book are some wonderfully Victorian subjects bombah good, solid, traditional stories.

Chandra seems to have this style of not using speech marks sometimes, and I’m not sure if I appreciate that. We experience modes of thinking and behaving that include love and longing but go beyond them, that have endured through the centuries. These richly narrated and developed stories draw the readers into the convincing and authentic world in which these andd originate. May 30, Vinitha rated it really liked it Shelves: We are… led to suspect that Subramaniam has fantasized and reshaped fragments of his own life in all these stories, and that his young listener is influenced to follow his example.

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Enter the email address you signed up with and we’ll email you a reset link. Vukram darted a look around the corner, and the balcony was empty, he vijram sure of it. But it was mostly dark brown, stained by decades of sea air and monsoon rains, and in the late-afternoon sun it seemed to gather the light about it as it sat surrounded by trees and untidy bushes.

Surprisingly Chandra does not give room to Moksha i. Chandra, whose acclaimed novel Red Earth and Pouring Rain lovw with fantastical tales of gods and people and a storytelling monkey, presents us here with more grounded llonging of modern Bombay, of people high and low, good, bad, muddled and ambitious, and he does it in a wide variety of genres … Chandra fills the different stories with humour, pain, love, longing, and loss.

There is nothing longijg here, and the joy of the language is immense. For a cynic she despairs a lot. Chandra knows how to catch a whole era of expectation and loss in a single phrase. Even though the stories were relatively short, I found myself having difficulty following them because I simply couldn’t make myself care.

Artfully told… Love and Longing in Bombay leaves you with characters and images that stay with you long after you put the book down. Yes, and it’s quite a lot about Bombay as well, seemingly an attempt to give this city — which is an omnipresent, often broodingly dangerous backdrop and sometimes almost an active participant — the same sort of longint status as a New York or a Paris.